Editor’s Note: This is the first of three posts on films of Brian DePalma.
By TERRY R.CASSREINO
BLOW OUT (1981 |
He modeled his early work on Alfred Hitchcock. Some critics derided DePalma as nothing more than a Hitchcock hack, directing films that echoed and mimicked the themes and settings of many Hitchcock classics.
“Obsession” (1976), set in New Orleans, was nothing more than a retread of “Vertigo” – replete with a haunting score by Hitchcock regular Bernard Hermann. “Sisters” (1973) and, especially, “Dressed to Kill” (1980) had an awful lot in common with “Psycho.” In fact, “Dressed to Kill” is practically a shot-for-shot remake.
When DePalma tried to re-invent himself, his efforts proved just as troubling. “The Untouchables” (1987) was a slick, uninteresting retread of a popular 1950s television crime drama and “The Bonfire of the Vanities” (1990) was a flat-out, unmitigated, uninteresting disaster.