Scorsese, De Niro paint portrait of madness with ‘Taxi Driver’

TAXI DRIVER (1976)

By TERRY R. CASSREINO

From the minute Travis Bickle explains he is a Marine, many people quickly lump “Taxi Driver” into the category of movies about crazed, mentally disturbed Vietnam veterans.

But Martin Scorsese’s film is about more than Vietnam. While the specter of America’s failed Vietnam policy haunts every minute of “Taxi Driver,” Scorsese’s movie in the end is about redemption.

That’s what makes this movie so memorable – and such an important part of Scorsese’s overall body of work. For all the problems and issues “Taxi Driver” touches on and the character of Travis Bickle raises, in the end everything comes down to redemption.

Whether or not that redemption is real or a fantasy is debatable. But make no doubt about it: Scorsese slowly and methodically layers his film and tightens the tension as he approaches an unforgettable denouement.

‘JFK’ raises serious questions about John F. Kennedy’s death

JFK (1991)

By TERRY R. CASSREINO

The best American political films make you think, challenge you and present old information in a new light – which is exactly what Oliver Stone’s 1991 movie “JFK” does.

Stone is a sometimes heavy-handed, preachy director who often leaves audiences feeling like they’ve been hit over the head with a ton of bricks. But in “JFK,” Stone found the perfect vehicle to channel his film making style. “JFK” is his finest motion picture and the screen’s best political film.

Kevin Costner stars as New Orleans District Attorney Jim Garrison, the only person to bring criminal charges related to Kennedy’s assassination. Although Garrison failed to win a conviction in his case, his lengthy investigation allows Stone to revisit a pivotal point in U.S. history.

Garrison, a loose cannon in New Orleans politics, was ridiculed by the many people who thought his efforts were an embarrassing waste of time. Stone, though, uses the Garrison investigation to examine any and every conspiracy theory about Kennedy’s death.

Top Five Week continues at Sneak Prevue, and today I look at the Top Five Political films. “JFK” leads the list at No. 1.

‘Squirm’: Among the best of 1970s drive-in schlock classics

SQUIRM (1976) 

By TERRY R. CASSREINO

During the mid-1970s, schlocky exploitation films from American International Pictures and New World Pictures filled second-run theaters and drive-ins every summer across the Deep South and the United States.

Marketed with catchy titles, bizarre concepts and trailers that promised violence, horror and crashing cars, many of these low-budget quickies played to packed theaters and turned an impressive profit.

But once hooked into the theaters, it was more than obvious most of the films were pure trash – films that had no redeeming value and weren’t nearly as interesting as the trailers that advertised them.

Every once in a while, though, one of those low-budget films would click. And when they did – like the 1976 horror, flesh-eating worm thriller “Squirm” – they often turned out to be an undiscovered gem buried in the middle of an otherwise large pile of pure junk.