Oscar-winning short offers powerful Holocaust story

SPIELZEUGLAND (TOYLAND)

By TERRY R. CASSREINO 

First, I apologize for the sparse updates on my Web site. My other work teaching and doing political consulting have been consuming my time. Nevertheless, I plan to do a better job updating this site and offering you more viewing tips, in-depth analysis and film commentary.

Meanwhile, I am giving you a treat.

American cinema has seen many landmark dramas concerning the Holocaust. Certainly Steven Spielberg’s masterpiece “Schindler’s List” is the finest, a bold, sweeping, emotionally draining epic that illustrates exactly whast life was like for Jews in Europe during World War II. Spielberg came close to topping it with his D-Day follow-up “Saving Private Ryan.” But notice I say he came close. “Schindler’s List” remains today a remarkable achievement.

That said, below you will find an embedded video window where you can watch the Oscar-winning German short “Spielzeugland” (“Toyland”), a powerful, 13-minute film about the Holocaust. While certainly not another “Schindler’s List,” “Spielzeugland” is an amazing feat in itself. I will not spoil the film for you; watch it below yourself.

I first saw 2007’s “Spielzeugland” (“Toyland”) a couple of years ago on the Sundance Channel. I was blown away. I hope you find it as powerful and emotional as I did. Please drop me a line or comment below. Despite some problems with the English subtitles, I hope you enjoy the film.






Spielzeugland by Toan-01

Sondheim’s ‘Sweeney Todd’ bloodies its way to big screen

By TERRY R. CASSREINO

SWEENEY TODD: THE DEMON
 BARBER OF FLEET STREET (2007)

From the minute Johnny Depp appears on screen, gazes toward the distant skyline and sings in a deep voice “No, there’s no place like London,” the movie had me hopelessly hooked.

For two hours, “Sweeney Todd: The Demon Barber of Fleet Street” didn’t let go. The acting, the direction from Tim Burton, the music and lyrics by Stephen Sondheim – all were perfect.

I sat in the Grandview Theater in Madison, Miss., with my wife one night in January 2009 glued to the seat and screen watching what she and I knew instantly was one of the greatest and strangest filmed musicals ever made.

Last week, I wrote about my love of movie musicals [click here], about how they often touch deep emotional chords as the story’s characters suddenly burst into song to express feelings they might not be able to otherwise.

Lumet’s last great film: ‘Before the Devil Knows You’re Dead’

By TERRY R. CASSREINO

BEFORE THE DEVIL
KNOWS YOU’RE DEAD (2007)

Few American film makers can match the quality and breadth of  morally complex dramas that make up the long list of motion pictures Sidney Lumet helmed for the big screen.

By the time Lumet died April 9 at age 86, he left a legacy that included such classics as the courtroom drama “12 Angry Men,” the doomsday thriller “Fail Safe” and crime dramas “Serpico” and “Prince of the City.”

His films are funny, edgy and deep. His best are about people so committed to and, in many instances, obsessed with a specific issue or cause that they are unaware or simply don’t care how their decisions and actions affect others.

It’s especially bittersweet that Lumet’s last film, “Before the Devil Knows You’re Dead” in 2007, hit the screen 50 years after his first, “12 Angry Men.” Not surprisingly, “Before the Devil Knows You’re Dead” ranks among his best.

‘Across the Universe’ affirms the power of great movie musicals

By TERRY R. CASSREINO

ACROSS THE UNIVERSE (2007)

I’m a sucker for great movie musicals.

There’s something about watching a film in which the story’s main characters suddenly burst into beautifully crafted songs expressing broad, sweeping emotions that they otherwise wouldn’t or couldn’t express.

Unfortunately, the golden age of movie musicals is long gone. While musicals still flourish on Broadway, they’ve all but vanished from the big screen – save for short-lived revivals of the genre that sometimes produce one or two memorable films.

Recent Broadway hits have, indeed, spawned great film musical comedies, including “Hairspray” and “The Producers.” And word has it that Oscar-winning British director Tom Hooper is planning a screen version of the award-winning musical “Les Miserables.”

Among the few recent musicals to grace the screen is also one of the most unusual and one of my favorites – “Across the Universe” from 2007, stage director Julie Taymor’s imaginative, original musical that uses classic songs from the Beatles’ catalog to tell a moving love story.