Sneak Prevue Mailbag: Sneaking into R-rated films as a teenager

By TERRY R. CASSREINO

Nothing is better than a silly, pointless comedy. And “Kentucky Fried Movie” fits that requirement perfectly. I write a little about “Kentucky Fried Movie” in this edition of the Sneak Prevue Mailbag.

I also talk about the high cost of movie concessions and reminisce about sneaking into R-rated film as an underage teenager.

Every Friday, I dig deep into the mailbag and answer some of the more interesting questions from readers of this blog. If you have a question, write me at editor@sneakprevue.info and I’ll try to answer it on this blog.

Mr. Cassreino: I’ve been reading your blog now since it began last month. I find it quite interesting and even used your suggestions in deciding which films to watch on Netflix. Have you ever seen “Kentucky Fried Movie?” – John in Durango.

George Clooney’s thriller ‘The Ides of March’ set for November

THE IDES OF MARCH

By TERRY R. CASSREINO

On the same day I wrote about my pick for the Top Five Political Films, Sony Pictures released the trailer of George Clooney’s new political thriller: “The Ides of March.”

The film, about presidential politics, is perfectly timed to coincide with the 2012 presidential race. The cast includes Clooney, Philip Seymour Hoffman, Paul Giamatti and Ryan Gosling.

“The Ides of March” is based on the play “Farragut North” by Beau Willimon. The play, in turn, is loosely based on the 2004 presidential primary campaign of Howard Dean.

The film is set to open Oct. 7. Here is the trailer.

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‘JFK’ raises serious questions about John F. Kennedy’s death

JFK (1991)

By TERRY R. CASSREINO

The best American political films make you think, challenge you and present old information in a new light – which is exactly what Oliver Stone’s 1991 movie “JFK” does.

Stone is a sometimes heavy-handed, preachy director who often leaves audiences feeling like they’ve been hit over the head with a ton of bricks. But in “JFK,” Stone found the perfect vehicle to channel his film making style. “JFK” is his finest motion picture and the screen’s best political film.

Kevin Costner stars as New Orleans District Attorney Jim Garrison, the only person to bring criminal charges related to Kennedy’s assassination. Although Garrison failed to win a conviction in his case, his lengthy investigation allows Stone to revisit a pivotal point in U.S. history.

Garrison, a loose cannon in New Orleans politics, was ridiculed by the many people who thought his efforts were an embarrassing waste of time. Stone, though, uses the Garrison investigation to examine any and every conspiracy theory about Kennedy’s death.

Top Five Week continues at Sneak Prevue, and today I look at the Top Five Political films. “JFK” leads the list at No. 1.

Blatty’s classic ‘The Exorcist’ raised the bar for screen horror

THE EXORCIST (1973)

By TERRY R. CASSREINO

Rarely does a major motion picture succeed in frightening you while also challenging your core beliefs.

William Peter Blatty’s “The Exorcist” does just that. It’s an extremely effective and frightening film. It’s well directed by a film maker at the top of his game. And it’s a classic motion picture that has never been topped.

“The Exorcist” also is one of the most intently personal and religious stories ever put to film. This film firmly believes in the existence of good and evil, of God and Satan, and it dares you to do the same.

William Friedkin was fresh off directing the award-winning “The French Connection” when he took on Blatty’s best-selling novel. Blatty produced the film and wrote the script – which was based on the true story of the exorcism of a young boy.

As the “The Exorcist” opens, a little girl and her mom are living in a rental home in Georgetown when strange things begin to happen. Eventually, Chris MacNeil begins to believe her daughter, Reagan, is possessed by a demon. Beds levitate, bodies fling, heads spin 360 degrees. And you believe it all.

Top Five Week at Sneak Prevue continues. Today’s edition: The Top Five Horror Films.

Mel Brooks’ ‘Blazing Saddles’ unequaled in film comedy

BLAZING SADDLES (1974)

By TERRY R. CASSREINO

Madeline Kahn spoofs the great Marlene Dietrich, Slim Pickens runs a railroad chain gang, Gene Wilder plays a drunken gunslinger and Cleavon Little stars as Rock Ridge’s new black sheriff.

Together, they make up the cast of the funniest, and one of the most socially conscious, screen comedies: Mel Brooks’ classic “Blazing Saddles.” This is Brooks at his side-splitting best, a movie that has no equals.

Brooks came close with “Young Frankenstein,” his black-and-white parody of the classic “Frankenstein” films. But “Blazing Saddles” is something different – a zany, no-holds-barred, non-stop, laugh-fest masterpiece.

Working from a script by five writers that included Brooks and Richard Pryor, “Blazing Saddles” finds the small Western town of Rock Ridge getting its first black sheriff. Brooks pokes fun at Western film conventions and uses his off-beat, crude humor to criticize racism.

Welcome to Top Five week at Sneak Prevue. Today’s edition: The Top Five Film Comedies.

Nothing can top the disastrous excess of ‘Exorcist 2’

EXORCIST 2: THE HERETIC (1977)

By TERRY R. CASSREINO

Between Richard Burton’s bizarre overacting and the incomprehensible and totally preposterous plot, “Exorcist 2: The Heretic” makes you wonder what the film makers were thinking.

Director John Boorman and company faced an uphill battle from the start: They attempted to create a sequel to the most frightening horror film of all time. That they failed is no shock.

What is surprising, however, is the depth of the failure. From the acting to the writing, directing and special effects, this movie is a major, high-profile train wreck.

Boorman frantically tried to salvage the film by re-editing it days after its initial release. But his efforts made a disastrous film worse. “Exorcist 2: The Heretic” is, without a doubt, the single-worst motion picture sequel ever to grace the big screen.

Welcome to Top Five week at Sneak Prevue. Today’s edition: The Top Five Worst Film Sequels.

‘West Side Story’ tops my list of Top Five Best Screen Musicals

By TERRY R. CASSREINO

BROADWAY: HOME OF THE STAGE MUSICAL

Earlier this month, I wrote about two recent American film musicals I love: Julie Taymor’s “Across the Universe” featuring Beatles songs and Tim Burton’s adaptation of “Sweeney Todd: The Demon Barber of Fleet Street.”

Musicals are a home-grown escapist entertainment – an important part of American popular culture that was born on the Broadway stage and later successfully moved to the big screen.

The genre demands a willing suspension of disbelief and your complete acceptance that characters at any moment will break out in spontaneous song and dance accompanied by an unseen, full-blown orchestra. If you do, if you wholeheartedly accept the basic conventions of a musical, you can often find yourself swept away.

While I have seen great film musicals in recent years, including versions of such stage hits as “Evita,” “The Producers” and “Hairspray,” the heyday of the genre was in the 1950s and early 1960s when a rich stable of long-running Broadway productions graced the screen.

Today, in honor of one of my favorite film genres, I open “Top Five Week” at Sneak Prevue with my picks for the top five film musicals. I will share other Top Five picks in other genres Monday through Thursday of this week – so don’t forget to bookmark this site and visit often.