Friday, July 27, 2018

'Calibre' one of best films on Netflix

By TERRY R. CASSREINO

After much thought, I am reviving my film blog, Sneak Prevue, a look at classic and contemporary movies overlooked, underrated and underappreciated by many people – including some of the leading critics.

About a week ago, I caught smart little import from Britain called “Calibre.” I first heard of the film from a recommendation author Stephen King posted to his Twitter feed. And King was more than right about this Netflix original film.

To be fair, Netflix original films have been hit-or-miss with most being a miss.

While production values of many of the streaming service’s films is on par with most theatrical films, the substance has been sporadic at best.  After all this is a company that signed Adam Sandler to a contract to produce several, painfully unfunny comedies.

Then again there is the hope that the next Martin Scorsese movie, “The Irishman,” will be a huge hit for Netflix – which is footing the budget for this gangster film starring Robert DeNiro, Joe Pesci and Al Pacino. I can’t wait.

But that is way down the road. Until then, carve out 101 minutes from your day to watch “Calibre” – a nail-biting thriller that plays as a smart, heart-breaking morality tale.  

The plot it simple enough: A Edinburg businessman takes his longtime friend to a remote village in the Scottish Highlands for a hunting trip. One accident places the friends in mortal danger that becomes increasingly complicated as the story unfolds.

I won’t say anything else about the plot because watching it unfold in a logical manner gives the makes it a haunting, frightening tale. Forget the boogeyman, the mad slashers, the monsters in the dark. Real horror is rooted in innocent people doing questionable acts.

Much of the credit goes to writer-director Matt Palmer who gives the film an edginess found in the best of Hitchcock. Even though Palmer wastes little time jumping head-first into the plot, he still finds a way to create memorable, sympathetic characters.

Leads Jack Lowden and Martin McCann are perfect as best friends who find themselves in the middle of a nightmare.

In some ways, “Calibre” reminded me of another brilliant thriller, Sam Raimi’s “A Simple Plan.”

Raimi’s film was based on a best-selling novel by Scott Smith. The film follows brothers who find a crashed plane filled with $4.4 million in cash buried in the snow in rural Montana; when they decide to keep the cash, they fabricate a lie to cover themselves.

When their plan starts to unravel, they find themselves concocting another lie to cover the initial one. They quickly begin a vicious, dangerous cycle by telling lie after lie after lie as they finding themselves falling deeper and deeper into a living nightmare.

As in “Calibre,.” Raimi, keeps the film a tight ship and the audience on constant edge. Sadly, “A Simple Plan” features one of the last roles by actor Bill Paxton who died almost 20 years later from a stroke at the age of 61.

You can catch “Calibre” now on Netflix. “ A Simple Plan” is available on DVD and Blu-ray and streaming now on Amazon Prime.














Friday, July 13, 2012

Nolan's ‘The Prestige,’ ‘Inception’ entertain, leave you guessing

THE PRESTIGE 
By TERRY R. CASSREINO

With his highly successful “Batman” trilogy coming to a close next week, many people might associate director Christopher Nolan solely to comic book superhero films.

But that’s far from accurate.

Nolan is an incredibly talented filmmaker whose has helmed several well-made, thought-provoking movies that show he has more depth than many people might otherwise think.

Nolan first grabbed the attention with “Memento,” his off-beat thriller story about a man with short-term memory loss. Nolan told the story backward, starting from the end and wrapping up at the beginning.

But the two films I want to highlight came immediately after he finished his first and second “Batman” films.


Thursday, June 7, 2012

Hitchcock’s ‘North by Northwest’ withstands test of time

NORTH BY NORTHWEST (1959)
By TERRY R. CASSREINO

After the personal, dark romanticism of “Vertigo” and just before the stark horrifying vision of “Psycho,” Alfred Hitchcock helmed one of his finest films – one that stands as fresh today as it was when it played theaters in the summer of 1959.

“North by Norwest” is unlike any other film from Hitchcock.

It boasts a lavish budget, spectacular on-location photography and several suspenseful set pieces that remain among the finest put to film. The original screenplay by Ernest Lehman is airtight and full of great dialog. The musical score by Hitchcock regular Bernard Hermann is a classic.

And, of course, “North by Northwest” features an incredible cast headlined by Cary Grant as his most charming, Eva Marie Saint and James Mason. How could a film like that go wrong? Well, the answer is simple: It doesn’t. “North by Northwest” is perfect.

Friday, October 21, 2011

Oscar-winning short offers powerful Holocaust story

SPIELZEUGLAND (TOYLAND)
By TERRY R. CASSREINO 

First, I apologize for the sparse updates on my Web site. My other work teaching and doing political consulting have been consuming my time. Nevertheless, I plan to do a better job updating this site and offering you more viewing tips, in-depth analysis and film commentary.

Meanwhile, I am giving you a treat.

American cinema has seen many landmark dramas concerning the Holocaust. Certainly Steven Spielberg’s masterpiece “Schindler’s List” is the finest, a bold, sweeping, emotionally draining epic that illustrates exactly whast life was like for Jews in Europe during World War II. Spielberg came close to topping it with his D-Day follow-up “Saving Private Ryan.” But notice I say he came close. “Schindler’s List” remains today a remarkable achievement.

That said, below you will find an embedded video window where you can watch the Oscar-winning German short “Spielzeugland” (“Toyland”), a powerful, 13-minute film about the Holocaust. While certainly not another “Schindler’s List,” “Spielzeugland” is an amazing feat in itself. I will not spoil the film for you; watch it below yourself.

I first saw 2007’s “Spielzeugland” (“Toyland”) a couple of years ago on the Sundance Channel. I was blown away. I hope you find it as powerful and emotional as I did. Please drop me a line or comment below. Despite some problems with the English subtitles, I hope you enjoy the film.






Spielzeugland by Toan-01


Monday, September 19, 2011

Bad movies I love: ‘Airport ’77’ is insipid, idiotic entertainment

AIRPORT ’77
By TERRY R. CASSREINO

Shortly after Jack Lemmon’s character is knocked out, his co-pilot takes control of the private Boeing 747 and crashes it in the Atlantic Ocean in the middle of the Bermuda Triangle.

So begins “Airport ’77,” the second sequel to the 1970 film “Airport” – the original blockbuster disaster potboiler about a day at an airport and the flight threatened by a man with a bomb.

But “Airport ’77” is cheesier, more unbelievable and incredibly more melodramatic than “Airport” and its first awful sequel “Airport 1975.”

As the 747 sinks in the Atlantic and lands perilously on the edge of an abyss, the film becomes a sloppy, unintentionally funny riff on the disaster classic “The Poseidon Adventure.”

Sunday, September 18, 2011

Sneak Prevue Mailbag: We’re back after a brief absence

By TERRY R. CASSREINO

After a brief respite, Sneak Prevue returns today.

And one of the first things we’ll do is dig deep into our mailbag to answer several burning questions. You have questions – we have answers. You don’t have to agree with them, but we have answers.

So, let’s get down to business.

Mr. Cassreino: Where have you been? I’ve checked and checked and checked Sneak Prevue for a new critique, but haven’t seen one in a while. Did you shutter your blog? – Emily in Dallas


Dear Emily: No. I haven’t shuttered the blog. Sneak Prevue is still around. I’ve had a lot going on the past month, starting a new job and taking care of two beautiful children. I needed the time to settle into my new position before I could set aside the time I need to maintain the blog.


Friday, August 12, 2011

Hot movie trailer alert: ‘A Very Harold & Kumar 3D Christmas’

I don’t like 3-D – I’ve made that point explicitly clear in several posts on the Sneak Prevue blog. I hate the effects. I don’t think it’s necessary. And I absolutely despise the extra surcharge theaters add to admission prices for the privilege to see a movie in 3-D.

That said, here is the trailer for “A Very Harold & Kumar 3D Christmas.” This actually looks quite funny. And it looks like the makers exploit 3-D effects in a fun way. I might actually have to see this film at theaters. We’ll wait and see.

– TERRY R. CASSREINO